RGB – The simplest and most widely used color model is RGB, which encodes colors in discrete channels of red, green, and blue.CMYK (Cyan, Magenta, Yellow, and Key/Black) values correspond to the primary colors found in printer ink. CMYK (not used in video applications) – You may be familiar with this color model if you’ve ever printed an image.Some common color models are listed below: The combination of a color model and color space provides your underlying image a precise mathematical definition of what colors can be addressed within it.Ĭolor Model – A convention for encoding and recording color information. Target Color Gamut – A certain complete subset of colors with precise calibrations that allow color to be successfully reproduced in other settings or translated accurately for other gamuts and color spaces. We’ll dissect some color science terms and define them in relation to how they work with digital cinema.
#CINEMA GRADE DOWNLOAD FULL#
Grading your film any other way can result in your picture being translated and exhibited improperly.Īsk you colorist for the full specifications of your grade or the target color gamut. For this reason, color grading should only be performed on professionally calibrated equipment. Software can help you MANAGE the transition between color spaces, but it’s only as accurate as the equipment you’re using.
The first misconception about color grading is that it is not a setting in your software, but a function of your hardware calibration. We’ll get to that specifically, but the important thing to know is that Digital Cinema color space is more than likely not the color space that you have mastered your film in and we’ll need to apply some color science to get it where it needs to go.
DCI-P3 is the accessible range of colors you can use in digital cinema as represented in RGB color space.
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